She is a recipient of a 2018 Andy Warhol Foundation Arts Writers Grant for a book project on Afrapix, a South African photographers’ agency that operated during the last decade of apartheid. Her writing and research is centered on South Africa and her scholarly publications focus on the nexus between written texts, visual art, photography, and the transnational/transhistorical implications of colonialism, ongoing forms of discrimination, displacement, and migration on individuals and communities. Neelika Jayawardane is Associate Professor of English at the State University of New York- Oswego and a Research Associate at the Visual Identities in Art and Design (VIAD), University of Johannesburg. “Ejecta” is an entry in their book-length experimental glossary project, which has the working title Decolonial Melanin. They are also known for their translations of key works of queer literature from Taiwan such as Qiu Miaojin’s Last Words from Montmartre (New York Review Books, 2014) and Chi Ta-wei’s The Membranes (Columbia University Press, 2021). Heinrich has written on topics ranging from the history of medical photography and painting to the exhibition of cadavers in internationally circulating anatomical displays. Collectively, they demonstrate the fearlessness-and the tenderness-with which writing may yet encounter art.Īri Larissa Heinrich is Professor of Chinese Media and Culture at the Australian National University. The essays in this first volume of Cookie Jar, varied in scope and approach, illuminate the interior landscapes associated with home. Even a partial list of Zarina’s titles- Threshold, Courtyard, Shadows, Fragrance, Despair-reveal how the viewer is invited into the sensorium of Zarina’s elusive idea of home. Urdu is home.” Titled Home, this is the first of thirty-six woodblock prints that recall the artist’s childhood residence in Aligarh, India. In her masterwork Home is a Foreign Place (1999)-from which we borrow the title and cover image for this volume-the artist Zarina wrote, “The titles of my work always come to me before the image. In “Racial Chain of Being,” Shaka McGlotten updates the chart of representations that was Donna Haraway’s provocation in “A Cyborg Manifesto,” in the process forging connections between familial legacy, Black radicalism, and the classroom. Jones closely reads the fascist iconography in the films of Kenneth Anger for their prescient, unnerving connections to our contemporary political moment. In “He Brought a Swastika to the Summer of Love,” William E. Neelika Jayawardane’s “‘This is not the correct history’” questions the evidentiary nature of documentary photography foregrounding the slippery ethics of reading images of the decades-long civil war in Sri Lanka. Tan Lin’s “The Fern Rose Bibliography” is a meditation on the loss of his parents through an olfactory exploration of his family’s books. In “Ejecta,” Ari Larissa Heinrich reflects on artist Jes Fan’s melanin sculptures and the geology of metaphoric language. Scroll down for information on how to order your limited print copy of Cookie Jar 1, as well links to download each essay in PDF/ePub formats. While cookies are on your mind, check out these Easter cookies, Christmas cookies, and Valentine's Day cookies.Cookie Jar, a pamphlet series of the Andy Warhol Foundation Arts Writers Grant, gathers five new pieces of writing by grantees that take on home as an unruly site of inheritance, memory, and imagination.Ĭookie Jar is free to read in all formats. Read on for 12 charming and cute cookies jars you can buy right now, including simple glass canisters and novelty containers shaped like a rooster and a bulldog. Today you can still find lots of vintage jars, if that's something you'd like to add to your collection. Soon nearly every American potter was making figural cookie jars-there was even a museum dedicated to them in Lemworth, IL, until 2004. Ree Drummond loves vintage-looking cookie jars so much that she included them in The Pioneer Woman homeware collection, and she's even sold a basset hound cookie jar inspired by her pups! That's hardly the craziest creation someone's come up with, though: The earliest cookies jars, which likely originated in England, were pretty plain, but by the mid-1930s decorative ones like fairy-tale characters were introduced in the U.S. They're versatile, too: If you don't like cookies (it's okay, you're forgiven!), you can also use them to store candy, flour, and more. Is there anything more irresistible on a countertop than a canister full of your favorite cookies? Whether you're storing classic sugar cookies, oatmeal slice-and-bakes, or butterscotch chocolate cookies, cute cookie jars keep your treats fresh and double as decorations.
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